I am in a pretty damn good mood right now, having just come back from my first Muse concert. How can I say they were fucking awesome without swearing? Even from as far back as I was sitting I could see Matt Bellamy strutting around on stage and working that guitar like nothing else. It was awe-inspiring. “Supermassive black hole”, “Knights of Cydonia”, “Hysteria”, “Stockholm Syndrome” were just some of the songs they played and I was lapping up every damn second of it.
The only bad thing was that they were a support act. Muse should not be the support act for anyone and I have, at length, complained about this to people. I guess I should be glad they’re even travelling this far south into Florida, but I cannot stop thinking about what could have been. In this case they were supporting My Chemical Romance. Whilst I know a couple of the MCR songs I am not what you would call a super-massive fan. This was just proven to me tonight when after the adrenalin rush of Muse, I sat through the glam-rock of MCR relatively unswayed. The seats were comfortable at least. Some people weren’t tricked by the comfortable seats though as they left the building after Muse finished their act.
A couple of times during the MCR performance I was suddenly awoken by massive firecrackers going off. I had to give them kudos to them for that though: their stage presentation was fairly good, with lots of fire and explosions and pretty glitter to keep the kids interested and me awake. It was sort of like “Disney on Ice” meets KISS.
Eh, I wish MCR’s music had the same impact on me as it did to all the teenagers at the concert. They were all going crazy and that’s when it dawned on me. MCR isn’t aiming to be that great musically (and I really don’t think they are), they’re fulfilling a certain niche that emo-teenagers are craving: simple, emphatic, easily digestible music that doesn’t do anything new but is packaged nicely. I think the best way of putting this would be to say:
My Chemical Romance: “The Wiggles” for teenagers.
I wanted to go! 🙁
nice review